MARC details
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04839cam a22003017a 4500 |
001 - CONTROL NUMBER |
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17143461 |
003 - CONTROL NUMBER IDENTIFIER |
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DLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
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20200127144905.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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200127s2013 enkac b 001 0deng d |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBB2C2315 |
Source |
bnb |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
016225042 |
Source |
Uk |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780500238950 (hbk.) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)ocn820779537 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
UKMGB |
Language of cataloging |
eng |
Transcribing agency |
UKMGB |
Modifying agency |
OCLCO |
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BTCTA |
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BDX |
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YDXCP |
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ERASA |
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ZVP |
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YNK |
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FM0 |
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BWX |
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IAC |
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CDX |
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VP@ |
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QGK |
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OCLCF |
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ZLM |
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P4I |
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CHVBK |
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DLC |
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IeDuRDS |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709 |
Edition number |
23 |
245 04 - TITLE STATEMENT |
Title |
The books that shaped art history : |
Remainder of title |
from Gombrich and Greenberg to Alpers and Krauss / |
Statement of responsibility, etc. |
edited by Richard Shone and John-Paul Stonard. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London ; |
-- |
New York : |
Name of producer, publisher, distributor, manufacturer |
Thames & Hudson, |
Date of production, publication, distribution, manufacture, or copyright notice |
c2013. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
264 p. : |
Other physical details |
ill., ports. ; |
Dimensions |
25 cm. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (p. [216]-257) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Statement of responsibility |
Emile Male. |
Title |
L'art religieux du XIIIe siecle en France: etude sur l'iconographie du Moyen Age et sur ses sources d'inspiration, |
Miscellaneous information |
1898 / |
Statement of responsibility |
Alexandra Gajewski -- |
-- |
Bernard Berenson. |
Title |
The drawings of the Florentine painters classified, criticised and studied as documents in the history and appreciation of Tuscan art, with a copious catalogue raisonne, |
Miscellaneous information |
1903 / |
Statement of responsibility |
Carmen C. Bambach -- |
-- |
Heinrich Wolfflin. |
Title |
Kunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst, |
Miscellaneous information |
1915 / |
Statement of responsibility |
David Summers -- |
-- |
Roger Fry. |
Title |
Cezanne: a study of his development, |
Miscellaneous information |
1927 / |
Statement of responsibility |
Richard Verdi -- |
-- |
Nikolaus Pevsner. |
Title |
Pioneers of the Modern movement from William Morris to Walter Gropius, |
Miscellaneous information |
1936 / |
Statement of responsibility |
Colin Amery -- |
-- |
Alfred H. Barr, Jr. |
Title |
Matisse: his art and his public, |
Miscellaneous information |
1951 / |
Statement of responsibility |
John Elderfield -- |
-- |
Erwin Panofsky. |
Title |
Early Netherlandish painting: its origins and character, |
Miscellaneous information |
1953 / |
Statement of responsibility |
Susie Nash -- |
-- |
Kenneth Clark. |
Title |
The nude: a study of ideal art, |
Miscellaneous information |
1956 / |
Statement of responsibility |
John-Paul Stonard -- |
-- |
E.H. Gombrich. |
Title |
Art and illusion: a study in the psychology of pictorial representation, |
Miscellaneous information |
1960 / |
Statement of responsibility |
Christopher S. Wood -- |
-- |
Clement Greenberg. |
Title |
Art and culture: critical essays, |
Miscellaneous information |
1961 / |
Statement of responsibility |
Boris Groys -- |
-- |
Francis Haskell. |
Title |
Patrons and painters: a study in the relations between Italian art and society in the age of the baroque, |
Miscellaneous information |
1963 / |
Statement of responsibility |
Louise Rice -- |
-- |
Michael Baxandall. |
Title |
Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style, |
Miscellaneous information |
1972 / |
Statement of responsibility |
Paul Hills -- |
-- |
T.J. Clark. |
Title |
Image of the people: Gustave Courbet and the 1848 revolution, |
Miscellaneous information |
1973 / |
Statement of responsibility |
Alastair Wright -- |
-- |
Svetlana Alpers. |
Title |
The art of describing: Dutch art in the seventeenth century, |
Miscellaneous information |
1983 / |
Statement of responsibility |
Mariet Westermann -- |
-- |
Rosalind Krauss. |
Title |
The originality of the avant garde and other Modernist myths, |
Miscellaneous information |
1985 / |
Statement of responsibility |
Anna Lovatt -- |
-- |
Hans Belting. |
Title |
Bild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst, |
Miscellaneous information |
1990 / |
Statement of responsibility |
Jeffrey Hamburger. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Which were the books that shaped art history as it developed in the twentieth century? This pioneering volume is a concise and brilliant study of the discipline of Art History and an invaluable resource for students, teachers, bibliophiles and all those interested in visual culture. It provides an invaluable roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter, focusing on a single title, is written by a leading art historian, curator or one of the promising scholars of today, presenting a varied and invaluable overview of the history of art, told through its seminal texts. The sixteen books include Nikolaus Pevsner's gospel of Modernism, Pioneers of the Modern Movement, Alfred Barr's now legendary monograph on Matisse, E.H. Gombrich's Art and Illusion, Clement Greenberg's Art and Culture, which had a seismic impact when it was published in 1961, and Rosalind Krauss's The Originality of the Avant-Garde and Other Modernist Myths, which introduced structuralist and poststructuralist thinking into art historical study. Each chapter - with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi - analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy. An introduction by John-Paul Stonard explores how art history has been forged by these outstanding contributions, as well as by the dialogues and ruptures between them. Supplementary documentation summarises the achievements of each art historian and provides a detailed publication history of their texts, with suggestions for further reading." -- Publisher's description. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art |
General subdivision |
Historiography. |
9 (RLIN) |
54353 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art |
General subdivision |
History. |
9 (RLIN) |
50796 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art historians |
Form subdivision |
Biography. |
9 (RLIN) |
135328 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Shone, Richard |
9 (RLIN) |
135326 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Stonard, John-Paul, |
Dates associated with a name |
1973- |
9 (RLIN) |
135327 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Loanable Book |