RDS Library & Archives

The books that shaped art history : (Record no. 105497)

MARC details
000 -LEADER
fixed length control field 04839cam a22003017a 4500
001 - CONTROL NUMBER
control field 17143461
003 - CONTROL NUMBER IDENTIFIER
control field DLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20200127144905.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200127s2013 enkac b 001 0deng d
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBB2C2315
Source bnb
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 016225042
Source Uk
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780500238950 (hbk.)
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)ocn820779537
040 ## - CATALOGING SOURCE
Original cataloging agency UKMGB
Language of cataloging eng
Transcribing agency UKMGB
Modifying agency OCLCO
-- BTCTA
-- BDX
-- YDXCP
-- ERASA
-- ZVP
-- YNK
-- FM0
-- BWX
-- IAC
-- CDX
-- VP@
-- QGK
-- OCLCF
-- ZLM
-- P4I
-- CHVBK
-- DLC
-- IeDuRDS
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 709
Edition number 23
245 04 - TITLE STATEMENT
Title The books that shaped art history :
Remainder of title from Gombrich and Greenberg to Alpers and Krauss /
Statement of responsibility, etc. edited by Richard Shone and John-Paul Stonard.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London ;
-- New York :
Name of producer, publisher, distributor, manufacturer Thames & Hudson,
Date of production, publication, distribution, manufacture, or copyright notice c2013.
300 ## - PHYSICAL DESCRIPTION
Extent 264 p. :
Other physical details ill., ports. ;
Dimensions 25 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (p. [216]-257) and index.
505 00 - FORMATTED CONTENTS NOTE
Statement of responsibility Emile Male.
Title L'art religieux du XIIIe siecle en France: etude sur l'iconographie du Moyen Age et sur ses sources d'inspiration,
Miscellaneous information 1898 /
Statement of responsibility Alexandra Gajewski --
-- Bernard Berenson.
Title The drawings of the Florentine painters classified, criticised and studied as documents in the history and appreciation of Tuscan art, with a copious catalogue raisonne,
Miscellaneous information 1903 /
Statement of responsibility Carmen C. Bambach --
-- Heinrich Wolfflin.
Title Kunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst,
Miscellaneous information 1915 /
Statement of responsibility David Summers --
-- Roger Fry.
Title Cezanne: a study of his development,
Miscellaneous information 1927 /
Statement of responsibility Richard Verdi --
-- Nikolaus Pevsner.
Title Pioneers of the Modern movement from William Morris to Walter Gropius,
Miscellaneous information 1936 /
Statement of responsibility Colin Amery --
-- Alfred H. Barr, Jr.
Title Matisse: his art and his public,
Miscellaneous information 1951 /
Statement of responsibility John Elderfield --
-- Erwin Panofsky.
Title Early Netherlandish painting: its origins and character,
Miscellaneous information 1953 /
Statement of responsibility Susie Nash --
-- Kenneth Clark.
Title The nude: a study of ideal art,
Miscellaneous information 1956 /
Statement of responsibility John-Paul Stonard --
-- E.H. Gombrich.
Title Art and illusion: a study in the psychology of pictorial representation,
Miscellaneous information 1960 /
Statement of responsibility Christopher S. Wood --
-- Clement Greenberg.
Title Art and culture: critical essays,
Miscellaneous information 1961 /
Statement of responsibility Boris Groys --
-- Francis Haskell.
Title Patrons and painters: a study in the relations between Italian art and society in the age of the baroque,
Miscellaneous information 1963 /
Statement of responsibility Louise Rice --
-- Michael Baxandall.
Title Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style,
Miscellaneous information 1972 /
Statement of responsibility Paul Hills --
-- T.J. Clark.
Title Image of the people: Gustave Courbet and the 1848 revolution,
Miscellaneous information 1973 /
Statement of responsibility Alastair Wright --
-- Svetlana Alpers.
Title The art of describing: Dutch art in the seventeenth century,
Miscellaneous information 1983 /
Statement of responsibility Mariet Westermann --
-- Rosalind Krauss.
Title The originality of the avant garde and other Modernist myths,
Miscellaneous information 1985 /
Statement of responsibility Anna Lovatt --
-- Hans Belting.
Title Bild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst,
Miscellaneous information 1990 /
Statement of responsibility Jeffrey Hamburger.
520 ## - SUMMARY, ETC.
Summary, etc. "Which were the books that shaped art history as it developed in the twentieth century? This pioneering volume is a concise and brilliant study of the discipline of Art History and an invaluable resource for students, teachers, bibliophiles and all those interested in visual culture. It provides an invaluable roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter, focusing on a single title, is written by a leading art historian, curator or one of the promising scholars of today, presenting a varied and invaluable overview of the history of art, told through its seminal texts. The sixteen books include Nikolaus Pevsner's gospel of Modernism, Pioneers of the Modern Movement, Alfred Barr's now legendary monograph on Matisse, E.H. Gombrich's Art and Illusion, Clement Greenberg's Art and Culture, which had a seismic impact when it was published in 1961, and Rosalind Krauss's The Originality of the Avant-Garde and Other Modernist Myths, which introduced structuralist and poststructuralist thinking into art historical study. Each chapter - with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi - analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy. An introduction by John-Paul Stonard explores how art history has been forged by these outstanding contributions, as well as by the dialogues and ruptures between them. Supplementary documentation summarises the achievements of each art historian and provides a detailed publication history of their texts, with suggestions for further reading." -- Publisher's description.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art
General subdivision Historiography.
9 (RLIN) 54353
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art
General subdivision History.
9 (RLIN) 50796
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art historians
Form subdivision Biography.
9 (RLIN) 135328
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Shone, Richard
9 (RLIN) 135326
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Stonard, John-Paul,
Dates associated with a name 1973-
9 (RLIN) 135327
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Loanable Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Date acquired Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Price effective from Koha item type
    Dewey Decimal Classification     General Collection Library Library 27/01/2020 3 1 709 SHO 000438381 13/07/2022 13/07/2022 27/01/2020 Loanable Book

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