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The Escorial : art and power in the Renaissance / Henry Kamen.

By: Publication details: New Haven, Conn. ; London : Yale University Press, c2010.Description: xv, 291 p., [16] p. of plates : ill. ; 24 cmISBN:
  • 9780300162448 (hbk.)
  • 0300162448 (hbk.)
Subject(s): DDC classification:
  • 946.41 23
Contents:
List of illustrations -- Chronology -- Preface -- 1. Genesis -- 2. The battle -- 3. Foundation -- 4. The magic temple of wisdom -- 5. The prisoner of the Escorial -- 6. A brace of eagles: images of power and monarchy -- 7. The hall of battles -- 8. Powerhouse of faith -- 9. Inventing the Escorial.
Summary: In this intriguing study, Henry Kamen looks at the circumstances that brought the young Philip II to commission the building of the Escorial in 1563. He explores Philip's motivation, the influence of his travels, the meaning of the design and its place in Spanish culture. The result is a highly engaging narrative of the high point of Spanish imperial dominance in which contemporary preoccupations with art, religion and power are analysed in the context of this remarkable building.
List(s) this item appears in: New acquisitions 2018
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Loanable Book Library General Collection 946.41 KAM (Browse shelf(Opens below)) Available 000412536

Includes bibliographical references and index.

List of illustrations -- Chronology -- Preface -- 1. Genesis -- 2. The battle -- 3. Foundation -- 4. The magic temple of wisdom -- 5. The prisoner of the Escorial -- 6. A brace of eagles: images of power and monarchy -- 7. The hall of battles -- 8. Powerhouse of faith -- 9. Inventing the Escorial.

In this intriguing study, Henry Kamen looks at the circumstances that brought the young Philip II to commission the building of the Escorial in 1563. He explores Philip's motivation, the influence of his travels, the meaning of the design and its place in Spanish culture. The result is a highly engaging narrative of the high point of Spanish imperial dominance in which contemporary preoccupations with art, religion and power are analysed in the context of this remarkable building.

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